Laura Footes (curated by Tracey Emin DBE)
17 November 2024 – 16 February 2025 Carl Freedman Gallery, Margate

I am going to jump right in and say, loudly, that Laura moves me. From the very first time I saw one of her paintings, there was a shift in me that went beyond the usual, ‘Oh, I like that painting’ feeling. I wanted to touch the shimmering figures and run my hands over their curved backs; I wanted to mop brows and make tea; I wanted to sit with them till morning. I knew what I was getting onto when I visited The Carl Freedman Gallery at the weekend. Laura’s latest show, A Healing Dream, was all I had expected and maybe a lot more. I was a bit dazed, seeing so much of her work in one place and seeing some of her larger pieces for the first time too.
The figures on the walls seem sad at first viewing, yet after a while of walking amongst them, it is not sadness that is the overwhelming emotion. It feels as if they are waiting, that they have suspended their beings in anticipation of a future that will not be where they are right now. They are held in this transitory stasis, sat on sofas, sprawled across beds. They are both residents of the mundane and beautiful shining beacons of another world.


The figures live in a different light. The outside world is lit by everyday streetlights and car headlamps; inside the light mutates into a Chiaroscuro realm where floors disappear and ceilings barely exist. Who can say what we really see here?
I feel a calm exude from the canvases. These figures hold out their hands and I want to gently touch their fingers as I pass.
Laura’s story is an incredible one and she deserves every single strand of success that is coming and will continue to come her way. Tracey Emin saw something that clearly resonated, that moved her too. For Laura to be able to make art is so very important for her, for the art world and for all of us fortunate enough to have the opportunity to engage with her work.
